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Indian Culture Swami Vivekananda

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Indian Culture

Swami Vivekananda

Culled by Br.Niraj of Chennai Math from The Complete Works of Swami Vivekananda.
[Just as Swami Vivekananda was the chosen one by Divine Dispensation to represent Hinduism, at the Parliament of Religions, so also he is even today the fittest person to represent and appreciate Indian culture. So we shall see how rightly he judges and in course of this discussion itself, Indian Culture will stand illumined.]

Indians to Study Indian Culture
Q.: But what does that matter? What if they [Indians] do not know the names of their forefathers?

Swamiji: Don’t think so. A nation that has no history of its own has nothing in this world. Do you believe that one who has such faith and pride as to feel, ‘I come of noble descent’, can ever turn out to be bad? How could that be? That faith in himself would curb his actions and feelings, so much so that he would rather die than commit wrong. So a national history keeps a nation well-restrained and does not allow it to sink so low.

Those who have eyes to see, find a luminous history there, and on the strength of that they know the nation is still alive. But that history has to be rewritten. It should be restated and suited to the understanding and ways of thinking.

So let us study for the above reason and also because it is a contributing factor in the development of the entire human civilization.

Appraisal of Indian Culture
Swamiji: If there is one word in the English language to represent the gift of India to the world, if there is one word in the English language to express the effect which the literature of India produces upon mankind, it is this one word, ‘fascination’. It is the opposite of anything that takes you suddenly; it throws on you, as it were, a charm imperceptibly. To many, Indian thought, Indian manners, Indian customs, Indian philosophy, Indian literature are repulsive at the first sight; but let them persevere, let them read, let them become familiar with the great principles underlying these ideas, and it is ninety-nine to one that the charm will come over them, and fascination will be the result. Slow and silent, as the gentle dew that falls in the morning, unseen and unheard yet producing a most tremendous result, has been the work of the calm, patient, all-suffering spiritual race upon the world of thought. Once more history is going to repeat itself. For today,… comes to the fore the philosophy of India, which displays the highest religious aspirations of the Indian mind, where the grandest philosophical facts have been the practical spirituality of the people.

Swamiji: What good is it to paint a picture if the details are wrong? An historical picture comes up to a standard of excellence when after making proper study and research, things are portrayed exactly as they were at that period. The truth must be represented, otherwise the picture is nothing.

Q.: How then should Sri Krishna be represented in the picture in question?

Swamiji: Sri Krishna ought to be painted as He really was, the Gita personified; and the central idea of the Gita should radiate from His whole form as He was teaching the path of Dharma to Arjuna, who had been overcome by infatuation and cowardice.

[So saying Swamiji posed himself in the way in which Sri Krishna should be portrayed, and continued:] ‘Look here, thus does he hold the bridle of the horses–so tight that they are brought to their haunches, with their forelegs fighting the air, and their mouths gaping. This will show a tremendous play of action in the figure of Sri Krishna. His friend, the world-renowned hero, casting aside his bow and arrows, has sunk down like a coward on the chariot, in the midst of the two armies. And Sri Krishna, whip in one hand and tightening the reins with the other, has turned Himself towards Arjuna, with his childlike face beaming with unworldly love and sympathy, and a calm and serene look–and is delivering the message of the Gita to his beloved comrade. Now, tell me what idea this picture of the Preacher of the Gita conveys to you.’

The friend: Activity combined with firmness and serenity.

Swamiji: Ay, that’s it! Intense action in the whole body, and withal a face expressing the profound calmness and serenity of the blue sky. This is the central idea of the Gita–to be calm and steadfast in all circumstances, with one’s body, mind, and soul centred at His hallowed Feet!

The God of Infinite Love and the object of Love sublime and infinite are painted blue. Krishna is painted blue, so also Solomon’s God of Love. It is a natural law that anything sublime and infinite is associated with blue colour. Take a handful of water, it is absolutely colourless. But look at the deep wide ocean; it is as blue as anything. Examine the space near you; it is colourless. But look at the infinite expanse of the sky; it is blue.

Swamiji [Referring to Kalidasa’s verse on the Himalaya]: The important words in this verse are devatatma (ensouled by Divinity) and manadanda (measuring-rod). The poet implies and suggests that the Himalaya is not a mere wall accidentally constructed by nature. It is ensouled by Divinity and is the protector of India and her civilization not only from the chill icy blasts blowing from the arctic region but also from the deadly and destructive incursions of invaders. The Himalaya further protects India by sending the great rivers Sindhu, Ganga, and Brahmaputra perennially fed by melted ice irrespective of the monsoon rains. Manadanda implies that the poet affirms that the Indian civilization is the best of all human civilizations and forms the standard by which all the other human civilizations, past, present, and future, must be tested. Such was the poet’s lofty conception of patriotism.

Culture in Day to Day Indian Life
Swamiji: Have you seen their [peasants’] granaries for keeping paddy? What an art is there in them! What a variety of paintings even on their mud walls! And then, if you go and see how the lower classes live in the West, you would at once mark the difference. Their ideal is utility, ours art. The Westerner looks for utility in everything, whereas with us art is everywhere. With the Western education, those beautiful Ghatis of ours have been discarded, and enamel glasses have usurped their place in our homes! Thus the ideal of utility has been imbibed by us to such an extent as to make it look little short of the ridiculous. Now what we need is the combination of art and utility. Japan has done that very quickly, and so she has advanced by giant strides. Now, in their turn, the Japanese are going to teach the Westerners.

Q. Maharaj, which nation in the world dresses best?

Swamiji: The Aryans do; even the Europeans admit that. How picturesquely their dresses hang in folds! The royal costumes of most nations are, to some extent, a sort of imitation of the Aryans’–the same attempt is made there to keep them in folds, and those costumes bear a marked difference to their national style.

The very soul of the Asian is interwoven with art. The Asian never uses a thing unless there be art in it. Don’t you know that art is, with us, a part of religion? How greatly is a lady admired, among us, who can nicely paint the floors and walls, on auspicious occasions, with the paste of rice powder? How great an artist was Sri Ramakrishna himself!

Social Life
Swamiji: These festivals and the like are also necessary; for then only, these ideas will spread gradually among the masses. You see, the Hindus have got their festivals throughout the year, and the secret of it is to infuse the great ideals of religion gradually into the minds of the people. It has also its drawback, though. For people in general miss their inner significance and become so much engrossed in externals that no sooner are these festivities over than they become their old selves again. Hence it is true that all these form the outer covering of religion, which in a way hide real spirituality and self-knowledge.

But there are those who cannot at all understand in the abstract what ‘religion’ is or what the ‘Self’ is, and they try to realise spirituality gradually through these festivals and ceremonies.

In India the bondage of superstition is a social one; here in the West society is very free. Social matters in India are very strict, but religious opinion is free. In England a man may dress any way he likes, or eat what he likes–no one objects; but if he misses attending church, then Mrs. Grundy is down on him. He has to conform first to what society says on religion, and then he may think of the truth. In India, on the other hand, if a man dines with one who does not belong to his own caste, down comes society with all its terrible powers and crushes him then and there. If he wants to dress a little differently from the way in which his ancestor dressed ages ago, he is done for.

But in religion, we find atheists, materialists, and Buddhists, creeds, opinions, and speculations of every phase and variety, some of a most startling character, living side by side. Preachers of all sects go about teaching and getting adherents, and at the very gates of the temples of gods, the Brahmins–to their credit be it said–allow even the materialists to give forth their opinions.

Thus India has always had this magnificent idea of religious freedom, and you must remember that freedom is the first condition of growth. What you do not make free, will never grow.

Written by Bhushan Kulkarni

December 28, 2006 at 11:13 am

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